MOTHER TIME: Measuring ourselves within the landscape
Bemis Center For Contemporary Arts
Exhibition
Bemis, Omaha
2026
MOTHER TIME: Measuring ourselves within the landscape
Bemis Center For Contemporary Arts
Exhibition
Bemis, Omaha
2026

“MOTHER TIME: Measuring ourselves within the landscape brings together the photographic practices of Rachel Cox and Rose Marie Cromwell, two artists whose distinct practices explore intimacy as something continuously shaped by environment, memory, and care. Moving fluidly between portraiture, landscape, and personal narrative, both artists consider how bodies exist within larger social and geographic terrains, asking how we locate ourselves—and one another—within spaces marked by both strength and vulnerability, history and transformation.

As mothers to young daughters, Cox and Cromwell approach photography as both an act of witnessing and a form of caretaking. Their images navigate the shifting boundaries between public and private life, foregrounding the emotional textures of domestic experience while remaining attentive to the broader cultural and political landscapes that surround them. In Cox’s work, moments of tenderness and exposure emerge through close observation of familial and interpersonal relationships, balancing empathy with an unflinching honesty. Cromwell’s photographs move fluidly between documentary and poetic image-making, layering personal histories with wider social realities to reveal the instability of borders between bodies, places, and generations. “ - Rachel Adams, Chief Curator and Director of Programs at the Bemis Center for Contemporary Art

“Complex histories of motherhood, of landscape, and of caretaking flow through this exhibition. Our bodies act as landscapes themselves: porous, changing, carrying with them traces of memory, labor, violence, and love. In Natalie Diaz’s poem “The First Water Is the Body,” she writes: “Back to the body of earth, of flesh, back to the mouth, the throat, back to the womb, back to the heart, to its blood, back to our grief, back back back.” The line collapses the distinctions between body and environment, between personal and collective histories. Both artists in this exhibition understand that to care for a body is also to care for a landscape, and vice versa.”


- Rachel Adams, Chief Curator and Director of Programs at the Bemis Center for Contemporary Art.
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